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What is Fiona Tinwei Lam Reading?

By Fiona Tinwei Lam

I’m currently re-reading a number of Ellen Bass’ fabulous poems in Like a Beggar (Copper Canyon Press, 2014) and Evelyn Lau’s lyrical gems in Tumour (Oolichan, 2016), while dipping into W. S. Merwin’s Selected Translations (Copper Canyon, 2013). I especially love his terse, concise translations of Malay, Korean, Japanese and Chinese figures, plus the variety of poems from diverse cultures and epochs. If you haven’t seen it yet, I highly recommend the documentary about Merwin’s life and mission, Even Though the Whole World is Burning, which shows how he and his partner transformed eighteen acres of a barren plantation on Maui into a vast, thriving, lush oasis of diverse palm trees, restoring the soil and ecosystem there over four decades. Merwin the magician! https://merwinconservancy.org/the-documentary-even-though-the-whole-world-is-burning/

Sci fi is what I tend to read for pleasure when not reading poetry (in 2018, I devoured two post-apocalyptic novels–Cherie Dimaline’s chilling The Marrow Thieves about First Nations being hunted down for their blood marrow, and Emily St. John Mandel’s Station Eleven about a wandering theatrical troupe trying to survive). This past week, I started Cixin Liu’s Hugo award-winning bestseller, The Three-Body Problem, which is part of a trilogy that I gave my 17 year-old son for Christmas. He’s already read the first two volumes so I have a lot of catching up to do! It’s about a secret military project that establishes contact with aliens who are on the brink of extinction. It reminds me a bit of Isaac Asimov’s Foundation series in its scope. Reading the same book or series enriches our conversations beyond the usual “have you done your homework yet?” although I am toying with the idea of asking him to teach me how to play on his Nintendo Switch.

 

Photos by Fiona Tinwei Lam and Ted Belch

Read more

  • Fiona Tinwei Lam
  • Issue 149
  • Who's Reading What
  • Writer Resources

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Territorial Acknowledgement

The New Quarterly is based in Waterloo, Ontario, on the traditional territory of the Haudenosaunee, Anishinaabeg, and Neutral Peoples. We acknowledge that this land is part of the Haldimand Tract, the land promised to the Six Nations of the Grand River as part of the Haldimand Proclamation of 1784.

As a literary magazine devoted to storytelling, we recognize that stories have long been a way of knowing, preserving, and sharing in Indigenous cultures. We honour the generations of First Nations, Métis, and Inuit peoples who have cared for these lands and continue to do so. We commit to listening, learning, and amplifying Indigenous voices, and to supporting pathways for truth and reconciliation through the stories we publish.

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