Skip to content
logo TNQ
  • Read
    • Dispatches
    • Issues
    • Online Exclusives
    • Under Review
    • Free Archive
      • Poetry
      • Fiction
      • Nonfiction
  • TNQ Presents
    • Wild Writers Literary Festival
    • Writing on the Land: A Wild Writers Retreat
    • The Vestige and TNQ Story
    • Spirit Ink
    • The X-Page Workshop
    • Parallel Homepage
  • Subscribe
    • Print Magazine
    • Digital Edition
    • Free Archive
  • Submit
    • Contests
    • Regular Submissions
  • Donate
  • Shop
    • Where to Buy
  • My Account
  • About TNQ
  • Our Team
  • Contact Us
  • Read
    • Dispatches
    • Issues
    • Online Exclusives
    • Under Review
    • Free Archive
      • Poetry
      • Fiction
      • Nonfiction
  • TNQ Presents
    • Wild Writers Literary Festival
    • Writing on the Land: A Wild Writers Retreat
    • The Vestige and TNQ Story
    • Spirit Ink
    • The X-Page Workshop
    • Parallel Homepage
  • Subscribe
    • Print Magazine
    • Digital Edition
    • Free Archive
  • Submit
    • Contests
    • Regular Submissions
  • Donate
  • Shop
    • Where to Buy
  • My Account
  • About TNQ
  • Our Team
  • Contact Us
Login
$0.00 0 Cart

What is Jody Baltessen Reading?

By Jody Baltessen

Two books I’m reading now are David Kishik’s The Manhattan Project: A Theory of a City, and Layli Long Soldier’s Whereas: Poems. In The Manhattan Project, Kishik employs the ghost of Walter Benjamin – The Arcades Project, a fragmented chronicle of 19th century Paris – to ghostwrite the story of New York City through the assembly of bits of text, quotations and reflections that he reads, interprets, re-reads and re-interprets as he moves through the city day by day. In Whereas, Long Soldier’s poetry intrudes into Western documentary practices to lay bare underlying assumptions and real outcomes of settler colonialism. As an archivist engaged with the history of records, I am drawn to these works because of their unconventional form and for the ways in which they push past established ways of seeing.

 

Photo by Flickr user vilson frangaj

Read more

  • Jody Baltessen
  • April 2019
  • Issue 149
  • Who's Reading What
  • Writer Resources

Post navigation

Marilyn Bowering’s Writing Space
Jenny Boychuk’s Writing Space

Territorial Acknowledgement

The New Quarterly is based in Waterloo, Ontario, on the traditional territory of the Haudenosaunee, Anishinaabeg, and Neutral Peoples. We acknowledge that this land is part of the Haldimand Tract, the land promised to the Six Nations of the Grand River as part of the Haldimand Proclamation of 1784.

As a literary magazine devoted to storytelling, we recognize that stories have long been a way of knowing, preserving, and sharing in Indigenous cultures. We honour the generations of First Nations, Métis, and Inuit peoples who have cared for these lands and continue to do so. We commit to listening, learning, and amplifying Indigenous voices, and to supporting pathways for truth and reconciliation through the stories we publish.

Facebook-f Instagram Linkedin-in Tiktok X-twitter
  • Privacy Policy
  • Accessibilty

MAGAZINE

  • About
  • Our Team
  • Where to Buy

CONTRIBUTE

  • Submit
  • Volunteer
  • Our Board
  • Donate

CONNECT

  • Contact Us
  • Newsletter

Subscribe to our Newsletter

CONNECT