Skip to content
logo TNQ
  • Read
    • Dispatches
    • Issues
    • Online Exclusives
    • Under Review
    • Free Archive
      • Poetry
      • Fiction
      • Nonfiction
  • TNQ Presents
    • Wild Writers Literary Festival
    • Writing on the Land: A Wild Writers Retreat
    • The Vestige and TNQ Story
    • Spirit Ink
    • The X-Page Workshop
    • Parallel Homepage
  • Subscribe
    • Print Magazine
    • Digital Edition
    • Free Archive
  • Submit
    • Contests
    • Regular Submissions
  • Donate
  • Shop
    • Where to Buy
  • My Account
  • About TNQ
  • Our Team
  • Contact Us
  • Read
    • Dispatches
    • Issues
    • Online Exclusives
    • Under Review
    • Free Archive
      • Poetry
      • Fiction
      • Nonfiction
  • TNQ Presents
    • Wild Writers Literary Festival
    • Writing on the Land: A Wild Writers Retreat
    • The Vestige and TNQ Story
    • Spirit Ink
    • The X-Page Workshop
    • Parallel Homepage
  • Subscribe
    • Print Magazine
    • Digital Edition
    • Free Archive
  • Submit
    • Contests
    • Regular Submissions
  • Donate
  • Shop
    • Where to Buy
  • My Account
  • About TNQ
  • Our Team
  • Contact Us
Login
$0.00 0 Cart

What is Moneesha R. Kalamder Reading?

By Moneesha R. Kalamder

Reading Rumi: Selected Poems, translated by Coleman Banks

I’m currently reading a translation of the work by the Persian poet Rumi. Jelaluddin Rumi was a 13th century mystic and an islamic scholar. His poetry speaks of love, passion, spirituality, and being human. I was raised in the islamic faith myself, regularly observing daily rituals but always more interested in the spiritual aspect of things. Discovering Rumi has been a delightful surprise – it holds meaning for me in the context of the faith both the poet and I were raised in, and it still remains meaningful when that faith is no longer present.

I recently read an article in the New Yorker that criticizes Coleman Banks’ approach to the translation, insinuating that this version of Rumi’s poetry is more of an interpretation than an actual translation. I am of the opinion that all translators put something of themselves in the work they translate. Banks was also accused of removing some the context, or “westernizing” his translations, which is a pity, but he will have to suffice for now. I can’t deny that I am thoroughly enjoying the poems I’m reading. The tragedy of not being able to understand every language is never knowing how the original author meant to say things, and the blessing is that sometimes we are gifted with translators who create something special.

Photo by Allie Smith on Unsplash

Read more

  • Moneesha R. Kalamder
  • Issue 150
  • Who's Reading What
  • Writer Resources

Post navigation

What is Sadiqa de Meijer Reading?
What is Richard A. Johnson Reading?

Territorial Acknowledgement

The New Quarterly is based in Waterloo, Ontario, on the traditional territory of the Haudenosaunee, Anishinaabeg, and Neutral Peoples. We acknowledge that this land is part of the Haldimand Tract, the land promised to the Six Nations of the Grand River as part of the Haldimand Proclamation of 1784.

As a literary magazine devoted to storytelling, we recognize that stories have long been a way of knowing, preserving, and sharing in Indigenous cultures. We honour the generations of First Nations, Métis, and Inuit peoples who have cared for these lands and continue to do so. We commit to listening, learning, and amplifying Indigenous voices, and to supporting pathways for truth and reconciliation through the stories we publish.

Facebook-f Instagram Linkedin-in Tiktok X-twitter
  • Privacy Policy
  • Accessibilty

MAGAZINE

  • About
  • Our Team
  • Where to Buy

CONTRIBUTE

  • Submit
  • Volunteer
  • Our Board
  • Donate

CONNECT

  • Contact Us
  • Newsletter

Subscribe to our Newsletter

CONNECT