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John Steffler’s Writing Space

By John Steffler

I’ve written in various places, travelling and at home, indoors and out.  I wrote much of The Grey Islands, the first drafts of the pieces, outdoors, wandering around the island with a clipboard and pads of paper in a backpack.  I’m doing some outdoor writing again in the countryside around where I live.

As for indoor writing, I like to be at ground level, near a window, ideally with a door to the outdoors not too far away.  Of course, this isn’t always possible.  The space I create or gravitate toward for writing tends to be more like a small simple living room than a typical office.  I like a comfortable chair or sofa with a side table for books and a coffee table to rest my feet on.  I write in a sketchbook or on a clipboard on my lap.  I generally spend time at a desk only when I’m revising and developing work.  It’s true that I spend hours, whole days, at a desk, at a computer doing just that.  But I usually make my first sketches away from the desk.

John Steffler was Canadian Poet Laureate from 2006 to 2009. His latest book is Forty-One Pages: on Poetry, Language and Wilderness (URP, 2019).

Photographs courtesy of John Steffler. Cover photo by Allef Vinicius on Unsplash.

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Territorial Acknowledgement

The New Quarterly is based in Waterloo, Ontario, on the traditional territory of the Haudenosaunee, Anishinaabeg, and Neutral Peoples. We acknowledge that this land is part of the Haldimand Tract, the land promised to the Six Nations of the Grand River as part of the Haldimand Proclamation of 1784.

As a literary magazine devoted to storytelling, we recognize that stories have long been a way of knowing, preserving, and sharing in Indigenous cultures. We honour the generations of First Nations, Métis, and Inuit peoples who have cared for these lands and continue to do so. We commit to listening, learning, and amplifying Indigenous voices, and to supporting pathways for truth and reconciliation through the stories we publish.

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