Skip to content
logo TNQ
  • Read
    • Dispatches
    • Issues
    • Online Exclusives
    • Under Review
    • Free Archive
      • Poetry
      • Fiction
      • Nonfiction
  • TNQ Presents
    • Wild Writers Literary Festival
    • Writing on the Land: A Wild Writers Retreat
    • The Vestige and TNQ Story
    • Spirit Ink
    • The X-Page Workshop
    • Parallel Homepage
  • Subscribe
    • Print Magazine
    • Digital Edition
    • Free Archive
  • Submit
    • Contests
    • Regular Submissions
  • Donate
  • Shop
    • Where to Buy
  • My Account
  • About TNQ
  • Our Team
  • Contact Us
  • Read
    • Dispatches
    • Issues
    • Online Exclusives
    • Under Review
    • Free Archive
      • Poetry
      • Fiction
      • Nonfiction
  • TNQ Presents
    • Wild Writers Literary Festival
    • Writing on the Land: A Wild Writers Retreat
    • The Vestige and TNQ Story
    • Spirit Ink
    • The X-Page Workshop
    • Parallel Homepage
  • Subscribe
    • Print Magazine
    • Digital Edition
    • Free Archive
  • Submit
    • Contests
    • Regular Submissions
  • Donate
  • Shop
    • Where to Buy
  • My Account
  • About TNQ
  • Our Team
  • Contact Us
Login
$0.00 0 Cart

Renée D. Bondy’s Writing Space

By Renée D. Bondy

I wrote the short story “Döstädning” (TNQ 172) in my home office. The word ‘office’ makes the space sound more substantial than it is. Bigger than a closet, but smaller than a room, it’s more like a nook. The ceiling slopes, and if I stretch out my arms, I can easily touch the walls. My desk, two small bookcases, and a tropical houseplant fill it to capacity. If anyone needed to enter, I’d have to step out. 

I’ve grown fond of my tiny office over the years. I love everything about it: the coziness, the plum-coloured walls, the little window which looks into the crown of an old maple. It’s difficult to calculate the number of hours I’ve spent there, but if I were to measure in words, it would be about 13 essays, 15 magazine articles, 16 short stories, and a novel’s worth – plus the dozens of lectures and talks I wrote when teaching at the university. That’s a lot of words. And the beauty of it is that, cocooned in my office, I know I could write millions more. 

Here’s the thing: we’re moving. My partner and I made this decision together, and from the start I knew it was right. Our new house is in the same city, not so far from our current home. It’s bigger, with a better floorplan and a modern kitchen. However (and I think you know where this is going), I will have to adapt to a new office. We haven’t moved yet, but each time I visit the new place, I stand in the room that will be my office and try to imagine writing there. It’s spacious and airy, with high ceilings and bright corner windows. I’ll have room for a larger desk, more bookcases, even a reading chair or two. I know I should be thrilled. But the thought of writing in this unfamiliar space is unsettling. Will I find my comfort zone, my flow, my words there?  

It probably sounds like I’m prone to magical thinking, as though my old office has the transformational power of Superman’s phonebooth. I know that entering an office is not the same as passing through a wardrobe or falling down a rabbit hole. But it is a portal, at least for me. It’s a place where, word after word, sentence after sentence, wholly new ideas emerge and grow. I believe there is something akin to magic in that, something I hope to conjure in my new office. 

Renée D. Bondy’s short story “The Explosion” appeared in the Spring 2022 issue of The Humber Literary Review Spotlight. Her début novel, [non]disclosure, was recently released by Second Story Press.

Photo by Norbert Levajsics on Unsplash

Read more

  • Renée D. Bondy
  • Writer Resources
  • Writing Spaces

Post navigation

What’s Kevin Irie Reading?
The TNQ Office Team’s Favourite Reads of 2024

Territorial Acknowledgement

The New Quarterly is based in Waterloo, Ontario, on the traditional territory of the Haudenosaunee, Anishinaabeg, and Neutral Peoples. We acknowledge that this land is part of the Haldimand Tract, the land promised to the Six Nations of the Grand River as part of the Haldimand Proclamation of 1784.

As a literary magazine devoted to storytelling, we recognize that stories have long been a way of knowing, preserving, and sharing in Indigenous cultures. We honour the generations of First Nations, Métis, and Inuit peoples who have cared for these lands and continue to do so. We commit to listening, learning, and amplifying Indigenous voices, and to supporting pathways for truth and reconciliation through the stories we publish.

Facebook-f Instagram Linkedin-in Tiktok X-twitter
  • Privacy Policy
  • Accessibilty

MAGAZINE

  • About
  • Our Team
  • Where to Buy

CONTRIBUTE

  • Submit
  • Volunteer
  • Our Board
  • Donate

CONNECT

  • Contact Us
  • Newsletter

Subscribe to our Newsletter

CONNECT