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Writing Spaces: Heather Birrell

By Heather Birrell

This week on Writing Spaces, we take a peek into the temporary working space of Heather Birrell, author of the short story “Tin Jails” in Issue 139.

An image of Heather's view from her writing space.

I think my ability to write has less to do with physical than mental space – and not being exhausted. I am currently NOT exhausted! Which is wonderful. Some of this has to do with the fact that for the last six months I have been on leave from my job and visiting with family on the Isle of Lewis in the Outer Hebrides in Scotland. My father-in-law gamely set up a desk for me in the bedroom. I have written at the desk very rarely, but I have often appreciated the fact of the desk, and its silhouette against the fantastic view from our window. Plus the desk is a wonderful place for various things to live – stacks of books, a wind-up Postman Pat, piles of shells and stones, Dairy Milk wrappers, a stuffed monkey, rings and other shiny things. The view – behind the caravan borrowed from a generous neighbour for visitor overflow – is of the family croft and the moorland. It has changed and remained the same in so many ways since we arrived. But really, my writerly home is my notebook. If I have a notebook and pen, I can usually (NOT exhausted) write where I’m planted.

An image of Heather's notebooks at her feet.

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  • Heather Birrell
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Territorial Acknowledgement

The New Quarterly is based in Waterloo, Ontario, on the traditional territory of the Haudenosaunee, Anishinaabeg, and Neutral Peoples. We acknowledge that this land is part of the Haldimand Tract, the land promised to the Six Nations of the Grand River as part of the Haldimand Proclamation of 1784.

As a literary magazine devoted to storytelling, we recognize that stories have long been a way of knowing, preserving, and sharing in Indigenous cultures. We honour the generations of First Nations, Métis, and Inuit peoples who have cared for these lands and continue to do so. We commit to listening, learning, and amplifying Indigenous voices, and to supporting pathways for truth and reconciliation through the stories we publish.

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