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Writing Spaces: Kathleen Wall

By Kathleen Wall

I can’t write without my 1967 copy of Roget’s Thesaurus, which I use as much to suggest new and surprising directions a poem might take as for the right word. (Sometimes Roget gives me the wrong word, which can also be liberating.) I also need my notebooks, where I scribble notes, ideas, images, character sketches, quotations from philosophy or from pottery manuals (I’m working on a novel about a ceramicist). If, for my third thing, I had to choose between a computer and Twig, I’d be in trouble! I do almost all my drafting on a computer. But Twig understands the rhythm of my writing life, and sometimes when he curls up next to the computer and rests his head on the back of my hand, he literally insists that I stay put – which is one of the best ways of getting anything done.

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  • Kathleen Wall
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Writing Spaces: Michelle Berry
A CanLit Conclusion

Territorial Acknowledgement

The New Quarterly is based in Waterloo, Ontario, on the traditional territory of the Haudenosaunee, Anishinaabeg, and Neutral Peoples. We acknowledge that this land is part of the Haldimand Tract, the land promised to the Six Nations of the Grand River as part of the Haldimand Proclamation of 1784.

As a literary magazine devoted to storytelling, we recognize that stories have long been a way of knowing, preserving, and sharing in Indigenous cultures. We honour the generations of First Nations, Métis, and Inuit peoples who have cared for these lands and continue to do so. We commit to listening, learning, and amplifying Indigenous voices, and to supporting pathways for truth and reconciliation through the stories we publish.

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