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What is Cynthia Flood Reading?

By Cynthia Flood

Recently I read Walter Kempowski’s novel All For Nothing, set in East Prussia in spring 1945. The Russian army’s arriving soon but a once well-to-do family can’t accept that fact. They temporize, fantasize, lie, betray, hold on pathetically to their disappearing lives. Only one survives. Kempowski’s a powerful writer. His theme of decay and collapse reminds me of Thomas Mann’s Buddenbrooks; readers of both know the end’s coming but the vivid writing won’t let us stop turning pages.

Another Kempowski book, Swan Song (non-fiction), chooses special dates at the end of WWII: Hitler’s birthday, his death day, and that of the German capitulation. For each Kempowski provides documented quotations (short and long) from diaries, letters, newspapers, official statements, autobiographies, interviews. Who are his sources? Children, generals, POWs, telephonists, soldiers, concentration camp survivors, maids, critics, sweethearts, artists. They’re German, Russian, American, French, British, Other. Kempowski arranges all their voices into a kind of symphony that’s very hard to read but even harder to put down.

Photo by Flickr user Snapshots of The Past

Read more

  • Cynthia Flood
  • April 2019
  • Issue 149
  • Who's Reading What
  • Writer Resources

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The New Quarterly is based in Waterloo, Ontario, on the traditional territory of the Haudenosaunee, Anishinaabeg, and Neutral Peoples. We acknowledge that this land is part of the Haldimand Tract, the land promised to the Six Nations of the Grand River as part of the Haldimand Proclamation of 1784.

As a literary magazine devoted to storytelling, we recognize that stories have long been a way of knowing, preserving, and sharing in Indigenous cultures. We honour the generations of First Nations, Métis, and Inuit peoples who have cared for these lands and continue to do so. We commit to listening, learning, and amplifying Indigenous voices, and to supporting pathways for truth and reconciliation through the stories we publish.

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