Skip to content
logo TNQ
  • Read
    • Dispatches
    • Issues
    • Online Exclusives
    • Under Review
    • Free Archive
      • Poetry
      • Fiction
      • Nonfiction
  • TNQ Presents
    • Wild Writers Literary Festival
    • Writing on the Land: A Wild Writers Retreat
    • The Vestige and TNQ Story
    • Spirit Ink
    • The X-Page Workshop
    • Parallel Homepage
  • Subscribe
    • Print Magazine
    • Digital Edition
    • Free Archive
  • Submit
    • Contests
    • Regular Submissions
  • Donate
  • Shop
    • Where to Buy
  • My Account
  • About TNQ
  • Our Team
  • Contact Us
  • Read
    • Dispatches
    • Issues
    • Online Exclusives
    • Under Review
    • Free Archive
      • Poetry
      • Fiction
      • Nonfiction
  • TNQ Presents
    • Wild Writers Literary Festival
    • Writing on the Land: A Wild Writers Retreat
    • The Vestige and TNQ Story
    • Spirit Ink
    • The X-Page Workshop
    • Parallel Homepage
  • Subscribe
    • Print Magazine
    • Digital Edition
    • Free Archive
  • Submit
    • Contests
    • Regular Submissions
  • Donate
  • Shop
    • Where to Buy
  • My Account
  • About TNQ
  • Our Team
  • Contact Us
Login
$0.00 0 Cart

Lisa Alward’s Writing Space

By Lisa Alward

 

I can and do write almost anywhere — in coffee shops and libraries, on planes and in cars, in bed, on the floor, and occasionally at my desk — but my favourite writing space is a small blue upholstered chair that used to belong to my mother. This chair has a matching footstool where I pile books I’m either reading or hoping to read, along with a few notebooks, an extra-fine rollerball pen, and my MacBook Air. With the Air propped on a wooden lap desk, I can look across the length of the house into the backyard (where at the moment it’s snowing) or sideways through the sun porch onto the street. I’m also a bit trapped — getting up to do housework, or procrastinate in other ways, is not as easy as it would be sitting at a table. Of course, writing on a lap desk can’t be very good for my back, and writing in my living room means I have to put up with more interruptions than if I were hidden away in a room of my own, but there’s something about nestling into my blue chair with a cup of coffee and a story on the go that I just can’t resist.

Photos provided by Lisa Alward

Read more

  • Lisa Alward
  • April 2019
  • Issue 149
  • Writer Resources
  • Writing Spaces

Post navigation

What’s Aviva Martin Reading?
What is Cynthia Flood Reading?

Territorial Acknowledgement

The New Quarterly is based in Waterloo, Ontario, on the traditional territory of the Haudenosaunee, Anishinaabeg, and Neutral Peoples. We acknowledge that this land is part of the Haldimand Tract, the land promised to the Six Nations of the Grand River as part of the Haldimand Proclamation of 1784.

As a literary magazine devoted to storytelling, we recognize that stories have long been a way of knowing, preserving, and sharing in Indigenous cultures. We honour the generations of First Nations, Métis, and Inuit peoples who have cared for these lands and continue to do so. We commit to listening, learning, and amplifying Indigenous voices, and to supporting pathways for truth and reconciliation through the stories we publish.

Facebook-f Instagram Linkedin-in Tiktok X-twitter
  • Privacy Policy
  • Accessibilty

MAGAZINE

  • About
  • Our Team
  • Where to Buy

CONTRIBUTE

  • Submit
  • Volunteer
  • Our Board
  • Donate

CONNECT

  • Contact Us
  • Newsletter

Subscribe to our Newsletter

CONNECT