Skip to content
logo TNQ
  • Read
    • Dispatches
    • Issues
    • Online Exclusives
    • Under Review
    • Free Archive
      • Poetry
      • Fiction
      • Nonfiction
  • TNQ Presents
    • Wild Writers Literary Festival
    • Writing on the Land: A Wild Writers Retreat
    • The Vestige and TNQ Story
    • Spirit Ink
    • The X-Page Workshop
    • Parallel Homepage
  • Subscribe
    • Print Magazine
    • Digital Edition
    • Free Archive
  • Submit
    • Contests
    • Regular Submissions
  • Donate
  • Shop
    • Where to Buy
  • My Account
  • About TNQ
  • Our Team
  • Contact Us
  • Read
    • Dispatches
    • Issues
    • Online Exclusives
    • Under Review
    • Free Archive
      • Poetry
      • Fiction
      • Nonfiction
  • TNQ Presents
    • Wild Writers Literary Festival
    • Writing on the Land: A Wild Writers Retreat
    • The Vestige and TNQ Story
    • Spirit Ink
    • The X-Page Workshop
    • Parallel Homepage
  • Subscribe
    • Print Magazine
    • Digital Edition
    • Free Archive
  • Submit
    • Contests
    • Regular Submissions
  • Donate
  • Shop
    • Where to Buy
  • My Account
  • About TNQ
  • Our Team
  • Contact Us
Login
$0.00 0 Cart

Aviva Martin’s Writing Space

By Aviva Martin

Writing Spaces

Mostly I write lying down, my laptop unfolded, keyboard on my torso, the screen against the cushions that lean against my thighs. My head and neck are supported by a pillow so I can see both keyboard and screen. I’ve haven’t learned touch typing. Yet.

I have a desk—a beautiful, metal, three-tiered, Ikea desk. When I get off the bed to think an idea, or look for one, or because I have glanced up to see there is a sunset that needs attention, or to loosen from the stiffness I’ve accumulated, I move the computer to the desk so that I can scurry there before the idea is lost.

In the summer, at my little cottage, I have a half acre of writing spaces. More, really, because there are 360 directions to face from each space. I don’t write at the beach, because I’m wet, or gazing, but I write of the beach.

 

Photo by Flickr user Claire McMahon

Read more

  • Aviva Martin
  • Issue 149
  • Writer Resources
  • Writing Spaces

Post navigation

Terry Watada’s Writing Space
Nathan Mader’s Writing Space

Territorial Acknowledgement

The New Quarterly is based in Waterloo, Ontario, on the traditional territory of the Haudenosaunee, Anishinaabeg, and Neutral Peoples. We acknowledge that this land is part of the Haldimand Tract, the land promised to the Six Nations of the Grand River as part of the Haldimand Proclamation of 1784.

As a literary magazine devoted to storytelling, we recognize that stories have long been a way of knowing, preserving, and sharing in Indigenous cultures. We honour the generations of First Nations, Métis, and Inuit peoples who have cared for these lands and continue to do so. We commit to listening, learning, and amplifying Indigenous voices, and to supporting pathways for truth and reconciliation through the stories we publish.

Facebook-f Instagram Linkedin-in Tiktok X-twitter
  • Privacy Policy
  • Accessibilty

MAGAZINE

  • About
  • Our Team
  • Where to Buy

CONTRIBUTE

  • Submit
  • Volunteer
  • Our Board
  • Donate

CONNECT

  • Contact Us
  • Newsletter

Subscribe to our Newsletter

CONNECT