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Finding the Form with j tate barlow

By j tate barlow

The poem “Time Looks Like This” began at the beach with my very active grandson, on a frigid day. I believe I came home and started to write (after a nap!), the scenario still icy clear in my mind.

That very day, behind the Leuty lifeguard station at the beach in Toronto.

I love to write sonnets, so will frequently begin poems in a sonnet form, then deconstruct and reshape. To me the movement and sound in this poem asked for something different. Experimenting with line breaks and reading aloud (always) as I went, I came up with this “form”.

It occurs to me now, as I look at it for the purpose of figuring out what I did, that the words or phrases set off in every third line appear to be mirroring the movement of a skipped stone. Or am I reading too much into this? Certainly wasn’t a conscious intention.

j tate barlow moves to the music, lives uphill from a Great Lake, and loves the heft of a good pen.

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Photograph courtesy of j tate barlow. Cover photo by Ross Sokolovski on Unsplash.

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The New Quarterly is based in Waterloo, Ontario, on the traditional territory of the Haudenosaunee, Anishinaabeg, and Neutral Peoples. We acknowledge that this land is part of the Haldimand Tract, the land promised to the Six Nations of the Grand River as part of the Haldimand Proclamation of 1784.

As a literary magazine devoted to storytelling, we recognize that stories have long been a way of knowing, preserving, and sharing in Indigenous cultures. We honour the generations of First Nations, Métis, and Inuit peoples who have cared for these lands and continue to do so. We commit to listening, learning, and amplifying Indigenous voices, and to supporting pathways for truth and reconciliation through the stories we publish.

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