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Finding the Form with Vivian Hansen

By Vivian Hansen

“This Twilight is Strangely Liminal”

Poetry is almost always my creative medium of choice.  I wrote this poem in pre-pandemic times, but as the twilight of all we are accustomed to drew near, I am growing closer to this poem.  Let’s call it prophetic, as poetry seems always to hold a prophetic element. In my Danish culture, there is a time of dusk called the “Mørkening Tid”.  Dusk is simply translated as the Darkening Time.  Note the ‘kening’ in both the Danish and the English words.  In this strange and liminal time, we grow closer to knowing, to understanding, to grip miracles and hoard them.   We can see so much in the full light of day, but the twilight properties of dusk, or the Mørkening Tid, stimulate a gift of knowing and prophetic insight.

“…I spotted the pictographs on a rock wall, the ones he always wanted to see but probably never did, because he would have had to hike hard to find them.”

“Dolly Trout Slayers”

This poem is a small story of my marriage and survival after the breakup.  My husband did not like fishing, so he never knew the water of Kootenay Lake as he should have.  He claimed that whatever he did not know, I could not know.  It baffled him to think of any other reality.  About twenty years after the end of the marriage, I found myself in a seaworthy fishing boat catching Trout and Kokanee Salmon on Kootenay Lake.  I spotted the pictographs on a rock wall, the ones he always wanted to see but probably never did, because he would have had to hike hard to find them.  By then, he had given up on life.  I felt sorry for him, then, as what I had accomplished in some small way, he could never own.

I usually always write poetry, and the form suits me for most creations. I have tended to avoid fiction, but I am recently beginning to enjoy writing in that genre.  I also write a lot in creative nonfiction, which is a sort of relative to poetry; you just need to examine what ‘process’ works best for getting the lyrical punch in a work.

Vivian Hansen has four books of poetry including A Tincture of Sunlight (Frontenac 2017). She teaches creative writing in Calgary.

Cover image by Rick Medlen on Unsplash

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The 2020 Nick Blatchford Occasional Verse Contest Longlist

Territorial Acknowledgement

The New Quarterly is based in Waterloo, Ontario, on the traditional territory of the Haudenosaunee, Anishinaabeg, and Neutral Peoples. We acknowledge that this land is part of the Haldimand Tract, the land promised to the Six Nations of the Grand River as part of the Haldimand Proclamation of 1784.

As a literary magazine devoted to storytelling, we recognize that stories have long been a way of knowing, preserving, and sharing in Indigenous cultures. We honour the generations of First Nations, Métis, and Inuit peoples who have cared for these lands and continue to do so. We commit to listening, learning, and amplifying Indigenous voices, and to supporting pathways for truth and reconciliation through the stories we publish.

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