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Natalie Southworth’s Writing Space

By Natalie Southworth

I write in my home office that doubles as a guest room (thank goodness we don’t have many guests), a TV room and a place to dump the laundry.

The room contains a desk with a computer, a low chair (I cut down the legs of the desk to deal with this), two windows, a wall of book shelves, my kids’ artwork, a concrete statue of a dryad, my father-in-law’s mother’s fold-up wooden rocker where she breastfed six children and several resident spiders. 

“In order to write, I basically have to get my ass in that chair.”

I sometimes write with a hoodie over my head, especially if one of the spiders has walked to the part of the ceiling directly above my desk. Somehow this has the effect of making me crouch low, lean in and get down to writing. 

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I’m no good writing anywhere else. I don’t need silence, or a closed door, or a disconnected Internet, but I do need one consistent, unchanging place to sit myself down. In order to write, I basically have to get my ass in that chair.

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Natalie Southworth’s award winning stories have appeared in literary journals in Canada and the UK. She lives and writes in Montreal. 

Photo by Nathan Anderson on Unsplash.

Read more

  • Natalie Southworth
  • Issue 150
  • Writer Resources
  • Writing Spaces

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What is Natalie Southworth Reading?
Jennifer Lynn Dunlop’s Writing Space

Territorial Acknowledgement

The New Quarterly is based in Waterloo, Ontario, on the traditional territory of the Haudenosaunee, Anishinaabeg, and Neutral Peoples. We acknowledge that this land is part of the Haldimand Tract, the land promised to the Six Nations of the Grand River as part of the Haldimand Proclamation of 1784.

As a literary magazine devoted to storytelling, we recognize that stories have long been a way of knowing, preserving, and sharing in Indigenous cultures. We honour the generations of First Nations, Métis, and Inuit peoples who have cared for these lands and continue to do so. We commit to listening, learning, and amplifying Indigenous voices, and to supporting pathways for truth and reconciliation through the stories we publish.

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