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Writing Spaces: Elana Wolff

By Elana Wolff

Elana Wolff’s poems have recently appeared (or will appear) in Canadian Literature, EVENT, The Dalhousie Review, Leveler, The Boneshaker Anthology, Prairie Fire, and The Antigonish Review. Her bilingual collection of selected poems, Helleborus & Alchémille, (Noroît, 2013; translation by Stéphanie Roesler), was awarded the 2014 John Glassco Prize for Translation. Elana Wolff’s essay “Paging Kafka’s Elegist” won first place in the 2015 Edna Staebler Personal Essay Contest and is published in Issue 136.

Elana Wolff Writing Space

This is not where my ideas bubble up and my imagination gets kindled (at least not for the most part). It is not where I put pen or pencil to paper. It’s too cluttered here and there’s not enough flat space on which to lay a page. Most of my scribbling takes place elsewhere. But this is where my computer is, where the words meet the screen, get reordered, printed, and sent. This is the interface space between the inside and outside worlds.

The three things that help me write (I think in doubles) are:

  1. Weak coffee or strong tea
  2. Reading and dreaming
  3. Putting pen to paper and letting go

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  • Elana Wolff
  • Writing Spaces

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January: An Afterword
Writing Spaces: Sharon Bala

Territorial Acknowledgement

The New Quarterly is based in Waterloo, Ontario, on the traditional territory of the Haudenosaunee, Anishinaabeg, and Neutral Peoples. We acknowledge that this land is part of the Haldimand Tract, the land promised to the Six Nations of the Grand River as part of the Haldimand Proclamation of 1784.

As a literary magazine devoted to storytelling, we recognize that stories have long been a way of knowing, preserving, and sharing in Indigenous cultures. We honour the generations of First Nations, Métis, and Inuit peoples who have cared for these lands and continue to do so. We commit to listening, learning, and amplifying Indigenous voices, and to supporting pathways for truth and reconciliation through the stories we publish.

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