Skip to content
logo TNQ
  • Read
    • Dispatches
    • Issues
    • Online Exclusives
    • Under Review
    • Free Archive
      • Poetry
      • Fiction
      • Nonfiction
  • TNQ Presents
    • Wild Writers Literary Festival
    • Writing on the Land: A Wild Writers Retreat
    • The Vestige and TNQ Story
    • Spirit Ink
    • The X-Page Workshop
    • Parallel Careers
  • Subscribe
    • Print Magazine
    • Digital Edition
    • Free Archive
  • Submit
    • Contests
    • Regular Submissions
  • Donate
  • Buy
    • Where to Buy
  • My Account
  • About TNQ
  • Our Team
  • Contact Us
  • Read
    • Dispatches
    • Issues
    • Online Exclusives
    • Under Review
    • Free Archive
      • Poetry
      • Fiction
      • Nonfiction
  • TNQ Presents
    • Wild Writers Literary Festival
    • Writing on the Land: A Wild Writers Retreat
    • The Vestige and TNQ Story
    • Spirit Ink
    • The X-Page Workshop
    • Parallel Careers
  • Subscribe
    • Print Magazine
    • Digital Edition
    • Free Archive
  • Submit
    • Contests
    • Regular Submissions
  • Donate
  • Buy
    • Where to Buy
  • My Account
  • About TNQ
  • Our Team
  • Contact Us
Login
$0.00 0 Cart

Writing Spaces: J.R. McConvey

By J.R. McConvey

This week in Writing Spaces, we take a look at the working space of J.R. McConvey, author of “Sheepasnörus Rex” in Issue #146.


Kraken Figurine. Photo by J.R. McConvey

The giant squid is one of the few species humans haven’t learned to hunt. We know it’s real, but it’s so elusive that we understand very little about it; it exists half in the realm of myth, a being that crosses the boundary between the real and the fantastic. My work is all about the pursuit of an elusive story, trying to coax out that idea or character that plumes in the consciousness like a cloud of ink. So I put a lot of cephalopods on my walls, to inspire the pursuit. I also have plenty of books, for knowledge and energy, some good speakers, a few percussion instruments, a pair of VR goggles, a rocking chair, and a window that connects me to the real world, where I can see the CN Tower poking up, tentacle-like, above the rooftops.

 

Office Writing Space. Photo by J.R. McConvey

Stack of Books. Photo by J.R. McConveyWe’re giving you a behind-the-scenes look into the writing process – straight from the desks of our contributors! Check out the full series here. 

Read more

  • J.R. McConvey
  • Writer Resources
  • Writing Spaces

Post navigation

All Things Literary for The New Quarterly
Writing Spaces: Rebecca Papucaru

Territorial Acknowledgement

The New Quarterly is based in Waterloo, Ontario, on the traditional territory of the Haudenosaunee, Anishinaabeg, and Neutral Peoples. We acknowledge that this land is part of the Haldimand Tract, the land promised to the Six Nations of the Grand River as part of the Haldimand Proclamation of 1784.

As a literary magazine devoted to storytelling, we recognize that stories have long been a way of knowing, preserving, and sharing in Indigenous cultures. We honour the generations of First Nations, Métis, and Inuit peoples who have cared for these lands and continue to do so. We commit to listening, learning, and amplifying Indigenous voices, and to supporting pathways for truth and reconciliation through the stories we publish.

Facebook-f Instagram Linkedin-in Tiktok X-twitter
  • Privacy Policy
  • Accessibilty

MAGAZINE

  • About
  • Our Team
  • Where to Buy

CONTRIBUTE

  • Submit
  • Volunteer
  • Our Board
  • Donate

CONNECT

  • Contact Us
  • Newsletter

Subscribe to our Newsletter

CONNECT