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Writing Spaces: Matthew Harris

By Matthew Harris

In the final instalment of the #TNQ144 edition of Writing Spaces, we’re taking a peek into the working space of Matthew Harris, author of “David Sweeney invited you to his event My 33rd Birthday!”!

I’m lucky enough to have my own separate room for my writing space – very important when your husband is watching endless YouTube clips of Whitney Houston’s high notes. I do most of my writing on a desk that I bought from a friend. It was her Estonian grandfather’s, and he made it himself. I can’t comfortably fit my legs under it and it painfully restricts my writing, but I’m sentimentally attached to it. All writers should face some difficulties, right? My desk is also usually covered in empty drinking glasses and receipts and drifts of paper, but I shoved them all onto the floor in preparation for this photo. Not pictured are the giant headphones I use to listen to Daft Punk’s live album when I am writing. In the album, you can hear the crowd cheering on the DJ robots, and I have realized I need the sound of thousands of people applauding to get any writing done.

 

We’re giving you a behind-the-scenes look into the writing process – straight from the desks of our contributors! Check out the full series here.

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  • Matthew Harris
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Writing Spaces: Cornelia Hoogland
Other Happinesses: Magazines Are Good; Magazines Are Very Good

Territorial Acknowledgement

The New Quarterly is based in Waterloo, Ontario, on the traditional territory of the Haudenosaunee, Anishinaabeg, and Neutral Peoples. We acknowledge that this land is part of the Haldimand Tract, the land promised to the Six Nations of the Grand River as part of the Haldimand Proclamation of 1784.

As a literary magazine devoted to storytelling, we recognize that stories have long been a way of knowing, preserving, and sharing in Indigenous cultures. We honour the generations of First Nations, Métis, and Inuit peoples who have cared for these lands and continue to do so. We commit to listening, learning, and amplifying Indigenous voices, and to supporting pathways for truth and reconciliation through the stories we publish.

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