Skip to content
logo TNQ
  • Read
    • Dispatches
    • Issues
    • Online Exclusives
    • Under Review
    • Free Archive
      • Poetry
      • Fiction
      • Nonfiction
  • TNQ Presents
    • Wild Writers Literary Festival
    • Writing on the Land: A Wild Writers Retreat
    • The Vestige and TNQ Story
    • Spirit Ink
    • The X-Page Workshop
    • Parallel Careers
  • Subscribe
    • Print Magazine
    • Digital Edition
    • Free Archive
  • Submit
    • Contests
    • Regular Submissions
  • Donate
  • Buy
    • Where to Buy
  • My Account
  • About TNQ
  • Our Team
  • Contact Us
  • Read
    • Dispatches
    • Issues
    • Online Exclusives
    • Under Review
    • Free Archive
      • Poetry
      • Fiction
      • Nonfiction
  • TNQ Presents
    • Wild Writers Literary Festival
    • Writing on the Land: A Wild Writers Retreat
    • The Vestige and TNQ Story
    • Spirit Ink
    • The X-Page Workshop
    • Parallel Careers
  • Subscribe
    • Print Magazine
    • Digital Edition
    • Free Archive
  • Submit
    • Contests
    • Regular Submissions
  • Donate
  • Buy
    • Where to Buy
  • My Account
  • About TNQ
  • Our Team
  • Contact Us
Login
$0.00 0 Cart

What is Mahak Jain Reading?

By Mahak Jain

“It’s not possible, in the audiobook format, to get caught up in the words or language because there’s no space to reflect on or ponder them.”

I have always resisted audiobooks. I am able to read faster than the speed of audiobooks, so the latter never seemed efficient. I also become easily distracted and daydream easily, so I expected audiobooks to be frustrating. But for my new job, I drive an hour each way; my reading time is more restricted too. So audiobooks have become a solace during a difficult commute. I recently read AN OCEAN OF MINUTES by Thea Lim.

It’s not possible, in the audiobook format, to get caught up in the words or language because there’s no space to reflect on or ponder them. I notice character and plot far more easily. I am also more aware now of skillful transitions. AN OCEAN OF MINUTES takes place during two different time periods, but Lim paid quite a lot of attention to how the story moves between the past and present, so I am never lost. (I tried reading LINCOLN IN THE BARDO by George Saunders in Audiobook format, but as innovative as the multi-cast audio format is, that’s a novel that I think is best understood in the text format.) I am reading in an entirely different way as a writer too. For the first time, I’m thinking about the best qualities of oral storytelling and how they can be used to strengthen storytelling on the page.

Mahak Jain writes fiction for children and adults. She lives in Toronto, where she is a professor of creative writing. Learn more at www.mahakjain.com.

Link Twitter Instagram

Photo courtesy of Max Rovensky on Unsplash.

Read more

  • Mahak Jain
  • Who's Reading What
  • Writer Resources

Post navigation

What is Marcia Walker Reading?
Terence Young’s Writing Space

Territorial Acknowledgement

The New Quarterly is based in Waterloo, Ontario, on the traditional territory of the Haudenosaunee, Anishinaabeg, and Neutral Peoples. We acknowledge that this land is part of the Haldimand Tract, the land promised to the Six Nations of the Grand River as part of the Haldimand Proclamation of 1784.

As a literary magazine devoted to storytelling, we recognize that stories have long been a way of knowing, preserving, and sharing in Indigenous cultures. We honour the generations of First Nations, Métis, and Inuit peoples who have cared for these lands and continue to do so. We commit to listening, learning, and amplifying Indigenous voices, and to supporting pathways for truth and reconciliation through the stories we publish.

Facebook-f Instagram Linkedin-in Tiktok X-twitter
  • Privacy Policy
  • Accessibilty

MAGAZINE

  • About
  • Our Team
  • Where to Buy

CONTRIBUTE

  • Submit
  • Volunteer
  • Our Board
  • Donate

CONNECT

  • Contact Us
  • Newsletter

Subscribe to our Newsletter

CONNECT