Pride Month Reads

In honour of Pride Month, we’ve rounded up some works across our nonfiction, fiction, and poetry publications which centre 2SLGBTQIA+ characters, stories and authors. These reads will be accessible online regardless of subscription status until August.

Nonfiction

“In Life and Writing” by Alena Papayanis

“I’ve done the same thing in life even when the thesis wasn’t my own, even if it was handed to me by my parents or my religion. I worked to make it a reality.”

“Homebodies” by J.P. Letkemann

One time, we were raking leaves at my father’s cottage, and Ben rushed toward me excitedly. “Look, Jake! Look what I found!” he said. “A butterfly cocoon!”

In his hand, he was holding a pinecone.

To this day, he maintains he was joking.

“Mother and Child” by Dora Dueck

But if I claim the icon’s gravity and harmony for the occasion of our daughter’s coming out, I certainly cannot claim its serenity. She was nervous. She spoke slowly and carefully, consulting her papers, and beneath my held-calm exterior, my guts were roiling as I grasped what she’d said.

A revised version of “Mother and Child” appears in Return Stroke: essays & memoir

“The Plague Came with No Directions” by thom vernon

We kids balanced on the tips of our toes. Ready to bolt, duck, or escape. An attack could come anytime or anywhere. There were always incoming missiles. Once I made the mistake of shoveling an elderly neighbour’s sidewalk without asking the woman first.

“White Sneakers” by Tim McCaskill

People stop in the street to look at us as we pass, and we begin to feel like our glowing illuminated futuristic feet are a bit out of place. Yes we’re tourists, but we’d hoped to be maybe a little less obvious.

“How to Make a Gay Icon” by Kevin Shaw

While Garten will tell you that very cold butter is required to make the best biscuits, the ingredients for making a gay icon are less precise.

Fiction

“After June” by Cree Nomad

“Yes, this place is haunted, but only by tragedy. “But I’m still here.” I whisper to myself, each word a breathless realization of what Sarah had been trying to say this entire time. Of what my mother was hurt about. Of why it felt like everyone was moving ahead without me.”

“Beyond Beauty and Death” by Michele Wong

Over here, it’s hard to know who is whose protector. Half the time when Thai locals show us their beach ware or invite me to a nightclub, my brother flexes his biceps protectively which does nothing more than bring in a bevy of younger Thai of all orientations, all of whom I shoo away maternally.

“4 AM” by Emmy Nordstrom Higdon

Following a colour-coded barrage, the day’s square in Ami’s calendar held a single word. SABBATICAL, pencilled in her teacher-quality capital letters. An unfamiliar anxiety slithered up her back.

“Carve Our Names” by Nadja Lubiw-Hazard

We’re skimming along the surface of the lake, the blades of our paddles dipping and pulling through the water with a steady synchronicity, and as we do, a burst of clarity flashes through me, brighter than the sunlight glittering on the water. A fleeting moment of wild faith hits me – I can be happy again!

“Body of Sand” by ViNa Nguyn

Content warning: fatphobia, body shaming, light body horror

My body feels sluggish. I was excited this morning for the party. Even the thought of my extended family sleeping over didn’t faze me. But these days I often speak of excitement in the past tense.

“String Theory” by Jake Tobin Garret

Your dad’s job is so cool, Sam and Marlon said. He just gets to play video games all day. Kyle had shrugged. He didn’t tell them that his dad’s job mostly consisted of him squinting in front of a computer screen for hours typing tiny symbols and letting out frustrated grunts. Leave it to his dad to make even video games boring.

“Condolence” by Benjamin Lefebvre

…the prospect of entering a church for a funeral after learning how narrowly he’d missed being invited to join his friends for the most awkward-sounding threesome during a block of time in which his sex life had come to a screeching halt seemed to be beyond the realm of common decency.

“Catalogue” by Elliot Gish

Content warning: themes of abuse, intimate partner violence

When you finish, she lets loose a long and gusty sigh.
“So you remember standing in front of a building,” she says. “And?”
You guess that’s all it is, really, although it feels like so much more.

“Harold” by Daryl Bruce

Harold looks down at the floor. “Sorry. I’ve been trying to quit,” he sighs. “I didn’t think it was that noticeable.” 
Roger wants to lecture him that smoking is nothing more than drawn-out suicide. That one day, his lungs will revolt and metastasize their anger. And long before he’s meant to reach his demise, he will lie in the dark of a bedroom, encasing him like a tomb and drown in his own fluids. “Promise me you’ll try harder to stop, Harold.”

Poetry

“That Time I Called An Auntie A Bitch” by Grace Lau

I’d stolen
her joy, proved my very existence
was sin
yet again.

Three Poems by Mattew Stepanic

Content warning: mass shooting

Our tongues are weighted to hold down truths,
our legs ever alert, and our endurance
innumerable years long.

“Christmas In July” by Kevin Shaw

More than a dozen television
holiday romances will be shot in the capital
this year. Many of them star my nineties icons,
their familiar faces uncannily preserved, oversweet
and taut as frosted sugar cookies.

“Book of Silence” by Helen Robertson

I can’t help but fumble. I was raised
A boy. Pressured by peers to never express
The wrong emotion. “See him there, crying?
Don’t be him or be cast out the same.”

Two Poems by Pamela Mosher

from bloom to brown, they’re cut down, yes. With wizened 
stem nubs left protruding, unsightly, they’re a warning
to others who might think each peak should accentuate
a decline. There isn’t time to bend to the will of fluctuating
seasons. This is the practice of enforcing constraints.
This is a battle of wills

“Michif in Public” by Chase Everett McMurren

I am learning the language as it disappears.
Learning from an app on my phone, that is.

Thank you to our featured writers for sharing these stories. 

TNQers Recommend: Short Story Edition

To commemorate short story month, we asked our readers to share which short stories they’ve loved recently. Below is a list of short stories they recommended.

To read these stories, select either the cover image or story title.

 

It’s about family and secrets and the strangeness of childhood and its lens on the adult world. I can’t stop thinking about it.

– SM

 

Archer creates a new world where “anything you bury will grow.” I usually shy away from the magical, but “Burrowing Creatures” reads like a real place with suburban swimming pools, tidal flats, and “skinny trees and scorpions”. He seamlessly weaves the fantastical into the story, where a motherless young boy (the retrospective narrator tells us), was excited to see his new life with his Papi grow: “dug from our old lives and planted like potato halves, sliced down and warted with eyes.”
“Burrowing Creatures” asks the question how a family moves on after it’s blown apart.
Archer’s metaphors of planting and harvesting, burrowing and emerging, and use of colour blew my mind. I adored the story so much, I wrote to AGNI’s editors to express my admiration and gratitude.

– Louise Sidley

 

This story recreates the main character’s sad yet darkly funny experiences with a dating app; it is chronicle of failed and futile attempts to find an appropriate partner among an assortment of unpleasant, unsuitable, and in a final example, dangerous men. Bhat’s depiction of male behaviour, in this story and others, is all too unfortunately accurate.

-John Vardon

 

The opening line is, “Down here among the dead, our fairy tales begin at the end.” I’m a sucker for a great first line. The rest of the story lives up to its opening. It’s imaginative, witty and poignant. What more could you want?

– Stephen Price

 

It’s not always the “What” of a story but the “how.” The writing in this story is breathtaking. The ending is rather satisfying too.

– Jason Waddle

 

“The Fisher Cat” is, to me, a feat of narrative compression that is as poignant as it is technically impressive. It’s difficult to summarize effectively, since so much of what makes it moving is the narrative perspective it’s filtered through, but it centres on an unnamed narrator’s retelling of a miserable yet miraculous day in her father’s life long before she was born. It deftly brings together themes about the ambivalence of parent-child relationships, the divisions in America in the aftermath of the Vietnam War, and the impossibility of truly understanding other people–even (perhaps especially) the ones closest to us. The prose is crisp and vivid, at times almost overwhelmingly visceral. It is, in some ways, a harsh story, but it’s also tender, a balance that makes ffitch’s work the most exciting I’ve come across in quite some time.

-Jack Williams

 

This story struck me for a number of reasons. The way it uses language for world building, the way reality loosens as the story progresses, the simultaneous simplicity and complexity of the characters, and the fact that, at the heart of the story, it’s about kindness, all contributed to my love of this fantastical story. Above all, however, I recommend it because I didn’t like it until I was about a third of the way in. The language just wasn’t what usually appeals to me, and the straightforward goals of the characters seemed too simple to be nuanced. It’s fun to be wrong and be won over.

– M.W. Irving

 

A surreal yet poignant experience with a household exterminator in a crawlspace filled with luggage. Amidst the subtle comedy and existential dread, every sentence is perfect.

– Glenn Willmott

 

This story, written in 1952, is set in a rambling house with multiple family members; it is hilarious but it also contains a puzzle; what happened to Baby’s blanket? Entirely different from the author’s usual stories of strange characters doing horrific things, this one takes the reader on a journey of delight, full of humour and wit.

– Mary Barnes

 

Brilliance of compressed language in telling a small story that says much about the relationships of the characters, and their culture.

– Maggie Dwyer

 

This short story not only combines genres and narrative elements in a dynamic and cohesive manner, skillfully setting the stage for the protagonist’s fantasy-inspired quest across modern-day New York City to find out what happened to the person that ghosted her on a dating app, but it also showcases the great talent and promising voice of a young writer who passed away much too early. After reading the story in the Summer 2024 issue of the Dragon Gems anthology, I was saddened to learn that its author, Zoe Kaplan, passed away last October at the age of 28 due to health issues. “So Familiar a Gleam” is one of her very last stories (if not THE very last one of her stories) and is required reading for anyone seeking to uncover the voice of an emerging writer who left this world much too soon.

– XM

 

It’s tender, about the things and people we love. I see it as how that love can both damage and restore. It’s funny and just a smidge absurd.

– A. Gautreau

 

For its mesmerizing artful sentences and powerful imagery!

-Ian LeTourneau

 

The unique voice, the deft handling of a contemporary feminine issue. The prose is so lovely, I had to stop and breathe. I didn’t want it to end.

-MJ Malleck

 

This is a sweet, beautiful story that showed that teen angst is a fluid monster. For some teens life is a piece of cake, for others it chews at their very inner being.

-Brenda Rech

 

The narrator’s voice captured my attention by placing me in the midst of her lesson and I felt as if I was learning along with the students. As a university instructor myself, I was drawn into how the students would come to understand the underlying meaning of the poem they were studying and the significance of the lesson to an otherwise disengaged student. Even though the title hints at the turn to come, the construction of the last paragraph is crafted so effectively, bringing in the poem’s meaning, in the repeated “I don’t know that…” to show how the unreal reality of U.S. school gun violence affects students and teachers every day.

– Tracey Ciccone Edelist

 

I love the protagonist, a fourteen-year-old girl with a passion for biology who is just going about her life when she comes face-to-face with patriarchy and has to defend herself against an attempted sexual assault. Characterization, dialogue, thematic development are impressive.

-Janet Pollock Millar

 

This is a story of how one ordinary day, and one trusted person, can upend your life as a mother forever, where your child survives but your goals cannot. What could be a melodrama is presently almost clinically in a way that makes the effect all the more compelling. Like other women in this collection, the narrator possesses a will that keeps her eyes on the prize, though what it is worth, and what it will cost, is assessed realistically without sentimentality.

– Kevin Irie

 

It’s a matter of a rediscovery as this story has viscerally remained in my memory. Love, betrayal, a Canadian prairie. Events of 2025 have meant a soul-searching of what it means to be Canadian. Identity shifts, but it helps to know what literature has resonated in Canada due to the physical landscape of the country. Given the harshest winter since the 1970s, this story from 1908 can still resonate for citizens of any background. Since the pandemic, there has been a significant movement of the population from urban to rural areas–and Sinclair Ross’ words still echo bleakly and interestingly about the fingerprints left behind from various relationships.

– Barbara Downey

 

An intimate look at the Caribbean immigrant mother, told with such mastery, compassion and control of language.
– EJ

 

It’s rare for fiction to make me tear up, but this story did. I identified with the protagonist of this story so deeply. It’s about a 34-year-old woman going through a mid-life crisis. She’s recently divorced from her husband with whom she shared a business together. Unemployed and directionless, she takes up pointless hobbies and engages in an affair with a former employee. Her sister, who is married and raising a daughter, is very critical of the way she’s currently living her life. It’s the feeling that many people feel who are in their thirties and not following the conventional path. It’s a painful experience to feel to isolated from the rest of the world.

– Hilary Smith