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What’s Maya Keshav Reading?

By Maya Keshav

Who’s Reading What?

Bonheur d’occasion, Gabrielle Roy

I didn’t pick up this Montreal classic until I’d already left the city. As soon as I opened it, though, I was instantly transported back to the neighbourhood of Saint-Henri, and back in time to WWII. The novel follows a working-class Québécois family as they fall in love, go to work, hang out in diners, sign up for the army, and try everything to make ends meet. It’s very sensitively written: the author takes us right into the minds of all the characters, especially Florentine, the adolescent daughter, as she nurtures a massive crush on someone who barely cares. Most of us have been there… 

I lived in Saint-Henri for some time in 2015-2017, and already I could tell the neighbourhood was rapidly changing. Stores selling machine equipment and uniforms were getting replaced by minimalist falafel places, and microbreweries filled with well-dressed young professionals. I went back this summer, and barely recognized the crowd at the metro station. More now than ever before, Bonheur d’occasion is a time capsule.

Photo provided by Maya Keshav

Read more

  • Maya Keshav
  • Issue 148
  • Who's Reading What
  • Writer Resources

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Frances Boyle’s Writing Space
What’s Maureen Scott Harris Reading?

Territorial Acknowledgement

The New Quarterly is based in Waterloo, Ontario, on the traditional territory of the Haudenosaunee, Anishinaabeg, and Neutral Peoples. We acknowledge that this land is part of the Haldimand Tract, the land promised to the Six Nations of the Grand River as part of the Haldimand Proclamation of 1784.

As a literary magazine devoted to storytelling, we recognize that stories have long been a way of knowing, preserving, and sharing in Indigenous cultures. We honour the generations of First Nations, Métis, and Inuit peoples who have cared for these lands and continue to do so. We commit to listening, learning, and amplifying Indigenous voices, and to supporting pathways for truth and reconciliation through the stories we publish.

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