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Ellen Keith’s Writing Space

By Ellen Keith

This week’s faraway Writing Space comes to us from Ellen Keith, author of “Thin Ice” from Issue 134!

“Because I travel on a regular basis, I’m flexible when it comes to writing spaces. I’m currently based in Amsterdam so I spend much of my time writing in the research library at the Rijksmuseum. It’s a gorgeous old room, covered by a domed roof that lets in a lot of natural light. Another bonus: other people have a view of my computer screen, which discourages me from wasting time on the Internet.

Here are the three things I can’t write without:

1) Empty space: Clutter distracts me, and I’m most productive when I’m away from my own things and to-do list. I appreciate a clear, open table.

2) Headphones: I love putting on music that fits the mood of the scenes I’m writing. Lately, I’ve been listening to a lot of classical, tango, and ’40s jazz, but Norah Jones is my go-to artist for focused work.

3) Art: Often, I have trouble getting words out, but I find it helps if I begin a writing session by engaging with something creative for a few minutes, such as reading a page of a novel, or exploring an exhibit in the museum.”

 

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My Dream Reading
Alice Zorn’s Writing Space

Territorial Acknowledgement

The New Quarterly is based in Waterloo, Ontario, on the traditional territory of the Haudenosaunee, Anishinaabeg, and Neutral Peoples. We acknowledge that this land is part of the Haldimand Tract, the land promised to the Six Nations of the Grand River as part of the Haldimand Proclamation of 1784.

As a literary magazine devoted to storytelling, we recognize that stories have long been a way of knowing, preserving, and sharing in Indigenous cultures. We honour the generations of First Nations, Métis, and Inuit peoples who have cared for these lands and continue to do so. We commit to listening, learning, and amplifying Indigenous voices, and to supporting pathways for truth and reconciliation through the stories we publish.

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