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Kevin Hardcastle’s Writing Space

By Kevin Hardcastle

In a past issue I’ve sent a photo of my excellent borrowed deck that I get to write on when the weather holds out, so I figured I’d bring it indoors and underground to my Toronto hobbit hole, where I sometimes work. At the moment this very fancy desk has been the place that I’ve been piling writing related things, including edits and galleys, and the many pilfered copies of The Walrus that I snagged when attending the Amazon First Novel award a few weeks back. When I ever clear this thing off, and use it as an actual writing desk, I still need the same things as I did when I wrote my previous Writing Spaces entry last summer: that old war vet laptop that I do all my work on, the notebook with all my story plans and notes, and the music that comes out of that computer. In colder seasons, when I can’t be outside writing, I can usually get something done if I get my ass off of the couch and put it in that chair. Just moving that six feet across the room often leads to some productivity.

Kevin Hardcastle Writing Space

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Jenifer Sutherland’s Writing Space
Another Circulation Assistant at TNQ

Territorial Acknowledgement

The New Quarterly is based in Waterloo, Ontario, on the traditional territory of the Haudenosaunee, Anishinaabeg, and Neutral Peoples. We acknowledge that this land is part of the Haldimand Tract, the land promised to the Six Nations of the Grand River as part of the Haldimand Proclamation of 1784.

As a literary magazine devoted to storytelling, we recognize that stories have long been a way of knowing, preserving, and sharing in Indigenous cultures. We honour the generations of First Nations, Métis, and Inuit peoples who have cared for these lands and continue to do so. We commit to listening, learning, and amplifying Indigenous voices, and to supporting pathways for truth and reconciliation through the stories we publish.

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