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Writing Spaces: Marion Agnew

By Marion Agnew

This week in Writing Spaces, we take a look at the working space of Marion Agnew, author of “Atomic Tangerine” in Issue #146.

Marion Agnew's Indoor Office

Office 2018:
My office is in our house’s walk-out basement, and many months of the year I look at snowdrifts or the frozen surface of Lake Superior. That’s why I created the corner, shown in this photo, for comfortable reading and contemplation. The chair and hand-made rug are mid-century modern, from my husband’s mother’s home. The table, just peeking in at the bottom, was made by my grandfather from scrap wood. The Keith Haring dancers on the shower curtain tacked to the wall never fail to make me smile. Whether I’m sitting in the chair with a book, or sitting behind the desk wishing I could be hanging out there, this corner is a bright spot in my workspace.

 

Marion Agnew's Outdoor Writing Space

Outdoor Office 2018:
This photo was taken from the rowboat, where much of the real work of my writing life happens. The camp in the photo is Cainaan, painted Atomic Tangerine. I was rowing around the point from the camp to our house to store the rowboat for the winter. When I row, I may be the only living person in the boat, but I remember family members as a drift and putter and play. While rowing, I’ve even encountered fictional characters who later appear in my indoor office, while I sit with fingers on the keyboard, staring at snowdrifts from my office.


We’re giving you a behind-the-scenes look into the writing process – straight from the desks (and decks, docks, beds, and favourite hiking trails) of our contributors! Check out the full series here. 

Read more

  • Marion Agnew
  • Writer Resources
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Writing Spaces Reading Spaces: Ron Schafrick
Writing Spaces: Mary Thaler

Territorial Acknowledgement

The New Quarterly is based in Waterloo, Ontario, on the traditional territory of the Haudenosaunee, Anishinaabeg, and Neutral Peoples. We acknowledge that this land is part of the Haldimand Tract, the land promised to the Six Nations of the Grand River as part of the Haldimand Proclamation of 1784.

As a literary magazine devoted to storytelling, we recognize that stories have long been a way of knowing, preserving, and sharing in Indigenous cultures. We honour the generations of First Nations, Métis, and Inuit peoples who have cared for these lands and continue to do so. We commit to listening, learning, and amplifying Indigenous voices, and to supporting pathways for truth and reconciliation through the stories we publish.

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