Skip to content
logo TNQ
  • Read
    • Dispatches
    • Issues
    • Online Exclusives
    • Under Review
    • Free Archive
      • Poetry
      • Fiction
      • Nonfiction
  • TNQ Presents
    • Wild Writers Literary Festival
    • Writing on the Land: A Wild Writers Retreat
    • The Vestige and TNQ Story
    • Spirit Ink
    • The X-Page Workshop
    • Parallel Careers
  • Subscribe
    • Print Magazine
    • Digital Edition
    • Free Archive
  • Submit
    • Contests
    • Regular Submissions
  • Donate
  • Buy
    • Where to Buy
  • My Account
  • About TNQ
  • Our Team
  • Contact Us
  • Read
    • Dispatches
    • Issues
    • Online Exclusives
    • Under Review
    • Free Archive
      • Poetry
      • Fiction
      • Nonfiction
  • TNQ Presents
    • Wild Writers Literary Festival
    • Writing on the Land: A Wild Writers Retreat
    • The Vestige and TNQ Story
    • Spirit Ink
    • The X-Page Workshop
    • Parallel Careers
  • Subscribe
    • Print Magazine
    • Digital Edition
    • Free Archive
  • Submit
    • Contests
    • Regular Submissions
  • Donate
  • Buy
    • Where to Buy
  • My Account
  • About TNQ
  • Our Team
  • Contact Us
Login
$0.00 0 Cart

Finding the Form with Joe Davies

By Joe Davies

When I write I’m often drawn to that spot where the mundane greets the absurd, and for the mundane aspect I sometimes draw quite heavily on personal experience. “Fifty Dollars” very much fits that pattern. The camping, the uncooperative weather, the feelings of melancholy that can crop up after a holiday, and most importantly, the book from the thrift store with $50 dollars in it – these are all personal experiences I enlisted to become the germ of my story. The rest is the work of fancy. 

Photo by PiggyBank on Unsplash

After cobbling together a re-imagined version of events leading-up to the discovery of the $50, I waited to see what sorts of ideas might come along. I like writing this way, rendering a situation, then allowing myself to be open and responsive to what could happen, being sensitive to nuances that might already be on the page, and not knowing exactly where things are headed from there. It’s a strategy that doesn’t always lead to a successful piece of writing, but for me, having it be at least somewhat an act of discovery helps to sustain and elevate my curiosity.

Joe Davies‘ short fiction has appeared in The Dublin Review, eFiction India, Prism, Grain, Descant, Exile, Stand, Rampike, The Missouri Review, Queen’s Quarterly and previously in The New Quarterly.  He lives in Peterborough, Ontario.

Photo by Art Lasovsky on Unsplash

Read more

  • Joe Davies
  • Finding the Form
  • Writer Resources

Post navigation

What is Scott Armstrong Reading?
What’s Rea Tarvydas Reading?

Territorial Acknowledgement

The New Quarterly is based in Waterloo, Ontario, on the traditional territory of the Haudenosaunee, Anishinaabeg, and Neutral Peoples. We acknowledge that this land is part of the Haldimand Tract, the land promised to the Six Nations of the Grand River as part of the Haldimand Proclamation of 1784.

As a literary magazine devoted to storytelling, we recognize that stories have long been a way of knowing, preserving, and sharing in Indigenous cultures. We honour the generations of First Nations, Métis, and Inuit peoples who have cared for these lands and continue to do so. We commit to listening, learning, and amplifying Indigenous voices, and to supporting pathways for truth and reconciliation through the stories we publish.

Facebook-f Instagram Linkedin-in Tiktok X-twitter
  • Privacy Policy
  • Accessibilty

MAGAZINE

  • About
  • Our Team
  • Where to Buy

CONTRIBUTE

  • Submit
  • Volunteer
  • Our Board
  • Donate

CONNECT

  • Contact Us
  • Newsletter

Subscribe to our Newsletter

CONNECT